Seeing Solutions - A Blessing and a Curse . . . with Dae Bogan - Creative Innovators with Gigi Johnson

Episode 16

Seeing Solutions - A Blessing and a Curse . . . with Dae Bogan

Dae Bogan shares how he sees solutions and “warps” them into business ideas -- which is both a blessing and a curse. He began with selling cakes in middle school and organizing bus tours in high school from Cleveland, OH to New York. From his early history in acting, singing, and creating and producing events, he moved into a long series of start-ups (including putting gogo dancers in store windows) before moving into various endeavors in music tech. Dae has started and sold a variety of cloud-based ventures as well as mentored founders of other startups. Dae shares how he now is bringing those diverse skills to bear as head of Third-Party Partnerships with The Music Licensing Collective. The MLC works with music publishers and artists to collect and distribute their streaming royalties.

 

Guest: Dae Bogan, Head of Third-Party Partnerships, The Mechanical Licensing Collective (The MLC)

Dae Bogan serves as Head of Third-Party Partnerships for The Mechanical Licensing Collective (The MLC), where he leads The MLC’s strategy for engaging third-party entities to support initiatives in rights administration, data management, operations, and membership services. 


A passionate music creators' rights advocate who enjoys exploring the global music rights landscape through the lens of business and technology, Bogan is also an adjunct lecturer at the UCLA Herb Alpert School of Music. In this role, Bogan develops and teaches the music industry entrepreneurship course for which he was recognized in Billboard's "The 15 Best Music Business Schools In 2017." 


Prior to joining The MLC and teaching at UCLA, Bogan’s passion for innovation at the intersection of music and technology led him to found three companies: music rights administration technology company TuneRegistry, unclaimed music royalties, and licenses search engine RoyaltyClaim, and in-store music video network Maven Promo. Each of these companies has since been acquired.


 Early in his career, Bogan worked directly and more creatively with recording artists, songwriters, music producers, and DJs as the owner-operator of an independent record label, a music publishing company, and a boutique artist management firm before pivoting into technology in 2012. 


 Dae holds an MA in Music Industry Administration with a focus on music publishing and copyright administration from California State University, Northridge, and a BA in sociology from the University of California. He resides in Los Angeles, California where he organizes SoCal Music Industry Professionals, an informal networking community of music industry professionals who live in Southern California.


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Your Host: Gigi Johnson, EdD


I run transformative programs, speak/moderate, invest, advise, and produce multimedia on creativity and technology.  I taught for 22 years at UCLA, where I ran the Center for Music Innovation and the podcast "Innovating Music," built four industry-connecting programs, and taught undergraduates, MBAs, and executives about disruption in creative industries.  Before UCLA, I financed media M&A at Bank of America for ten years.


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Sponsored and Produced by the Maremel Institute

About the Podcast

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Creative Innovators with Gigi Johnson
Creative industry change agents who build and create against the grain and with inspired ideas join us to inspire and amaze.

About your host

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Gigi Johnson

Gigi Johnson founded Maremel, which runs transformative programs, invests, advises, and produces multimedia on creativity and technology. Her current initiatives include the Amplify Music conferences, podcast, channel, and research with 45 organizations; books on technology and creative work; events on local creative startups; and a new creative industries skills training program. She taught for 22 years at UCLA, where she ran the Center for Music Innovation, built four industry-connecting programs, and taught undergraduates, MBAs, and executives about disruption in creative industries. Before UCLA, she financed media M&A at Bank of America for ten years. She holds a doctorate in educational leadership for change from Fielding Graduate University, an MBA from UCLA Anderson, and a BA in film/TV production from USC.